The AJ-HPX3000 is the industry's first native 1080p one-piece camcorder to capture master-quality high definition video. Featuring three 2/3" high density 2.2 million pixel CCDs, the HPX3000 acquires cinema-quality images in full-raster 1920 x 1080 resolution with 4:2:2 10-bit sampling using the advanced AVC-Intra codec. AVC-Intra, the industry's most advanced compression technology, is a professional intra-frame video codec with bit rates of 50 and 100Mbps, utilizing the High-10 and High-422 profiles of H.264 respectively. AVC-Intra provides high-quality 10-bit intra-frame encoding in two modes: AVC-Intra 100 for full-raster mastering video quality, and AVC-Intra 50 Mbps for DVCPRO HD quality at half the bit rate, thereby doubling the record time on a P2 card. The HPX3000 also records in industry-standard DVCPRO HD at 1080 in 24p, 25p, 30p, 50i and 60i and can produce standard definition recordings in 50Mbps DVCPRO50. Designed for movie, commercial and TV program production, the HPX3000 combines the ultra reliability of P2 HD solid-state recording with high-end features, including six advanced gamma settings, including Film-Rec mode (made popular by the VariCam), film-like shutter controls, intuitive film camera-like operation. It also features a built-in reverse scan that allows unique setups such as mounting the camera upside down or usage of an ultra prime lens or an anamorphic lens adapter to create a 2.35:1 aspect image. With five 32 GB P2 cards installed, the camera records for up to 200 minutes in AVC-Intra 100 at 1080/24p, 400 minutes in AVC-Intra 50 at 1080/24p, 320 minutes in other AVC-Intra 50 formats, and 160 minutes in other AVC-Intra 100 or DVCPRO HD formats.

• Native 1920 x 1080 imagers for 4:2:2 10-bit, master quality recording with built-in AVC-Intra codec • Selectable AVC-Intra & DVCPRO HD/50 codecs • Five-year warranty (1 year regular, plus 4 years extended upon registration) • 24p, 25p, 30p, 50i, 60i formats • High sensitivity of F10 at 1,000 lux in 1080i and a minimum illumination of .064 lx (at +56db gain-up) • Advanced 14-bit Digital Signal Processing (DSP) circuit with A/D conversion and 12-axis independent color compensation and detail. • Chromatic Aberration Compensation (CAC) 1 function compensates for and reduces lens error that may appear with very high-resolution recording • Three-level Dynamic Range Stretch (DRS) function that varies the gamma correction to match the contrast within the image • Ultra versatility of P2 HD recording, including instant recording startup • Fast, flexible on-set workflow for immediate access to video content • Four channels 48-kHz/16-bit digital audio • Flip-out, 3.5-inch color LCD monitor

The RED ONE™ body – designed for flexibility and functionality. Weighing in at 10 lbs, this is a streamlined package specifically designed to maximize your shooting options. Matched with a 35mm PL lens mount, it allows you to take advantage of the world’s finest optics. Modular and upgradeable, the RED ONE™ camera is a future-proof acquisition system you can build upon. RED ONE™’s modular design means you can upgrade with us as we add new features and accessories, as well as benefitting from performance improvements with each new free firmware upgrade.

RED offers the a single "Mysterium:  Super 35mm cine sized CMOS sensor, which provides 4K (up to 30 fps), 3K (up to 60 fps) and 2K (up to 120 fps) capture, and all this with wide dynamic range and color space in 12 bit native RAW. At 4K, that’s more than 5 times the amount of information available every second and a vastly superior recording quality. In addition, you get the same breathtaking Depth of Field and selective focus as found in film cameras using equivalent 35mm P/L mount lenses. Mysterium ™ boasts greater than 66db Dynamic Range thanks to its large 29 sq. micron pixels. And 12,065,000 pixels deliver resolution that can only be called Ultra High Definition.

Shoot lightweight EFP style (body around 10 lbs., in rugged aluminum alloy) or load it up to shoot a feature film. Options include RED-RAIL™ mounting accessories that “grow” the camera body. Configure for tripod, crane or long lens applications. High-resolution RED LCD and EVF monitors come equipped with advanced tools for framing, exposure and focus. The RED ONE™ body and RED-RAIL components provide numerous mounting points to allow hundreds of optional RED and third party accessories… some that haven’t even been dreamed of yet. Choose between the convenience and durability of recording directly to Compact Flash, in-camera, or outputting signal to RED FLASH DRIVE or RED DRIVE (RAID) for even longer recording options.

The highly respected HDW-F900 camcorder has now been refined into the next-generation HDW-F900R, offering a variety of further enhanced functionalities. The HDW-F900R camcorder records images in accordance with the CIF (Common Image Format) standard, which specifies a sampling structure of 1920 x 1080 active pixels (horizontal x vertical). Plus, as well as recording at 24P, the HDW-F900R camcorder is switchable to record at 25P, 29.97P progressive scan, and also at 50 or 59.94 Hz interlaced scan. The camcorder also provides a comprehensive range of features for creative shooting such as enhanced gamma features and colorimetry controls. Plus, the design of the HDW-F900R is highly compact and lightweight, giving users higher levels of mobility and comfort when shooting. 

Specifications:	Detail:
Effective Pixels	1920 x 1080
Built-in-Filters	A: 5600 K B: 3200 K C: 4300 K D: 6300 K 1: Clear 2: 1/4 ND 3: 1/16 ND 4: 1/64 ND
Dynamic Range	(1080/60i mode) More than 85 dB (emphasis ON)
Shutter Speed	1/32 1/48 1/50 1/60 1/96 1/125 1/250 1/500 1/1000(s)
Pickup Device	3-chip 2/3-type FIT CCD
Spectrum System	F1.4 prism system
Sensitivity	f10.0 at 2000 lux 89.9 % reflective At 24 fps with a 1/48-second shutter speed (equivalent to a 180º film camera shutter setting). The exposure index is approximately equivalent to 300 ISO.
Lens Mount	Special bayonet mount

Input Connectors

Specifications:	Detail:
Audio Input	XLR-3-pin type (Female) -60 dBu/-50 dBu /-40 dBu/+4 dBu/AES/EBU
Microphone Input	XLR-5-pin type (Female) -60 dBu/-50 dBu /-40 dBu LPF 14 kHz: -8 dB
Genlock/Return IN	BNC 1.0 Vp-p 75 Ω
DC IN	XLR-4-pin type (Male) 11 to 17 V DC

Specifications:	Detail:
Weight	11 lb. 14 oz (5.4 kg) with typical ENG lens cassette BP-GL95 Battery
Power Requirements	DC 12 V (+5.0 V/-1.0 V)
Format	HDCAM
Application	Field Production
Imager	2/3" CCD
Operating Temperature	+32 °F to +104 °F (0 °C to +40 °C)
Storage Temperature	-4 °F to +140 °F (-20 °C to +60 °C)

Our versions (H-generation) feature 12-bit digital processing  and higher sensitivity CCDs. The AJ-HDC27 VariCam HD Cinema Camera brings variable frame rate acquisition to the DVCPRO HD product line up. This is the first high definition production camera that is capable of variable frame rate at the touch of a button. Individual frame rates may be selected from: 4-fps to 60-fps in single frame increments. Frame rates may be changed during recording. Designed as a high quality production camera, this native 720p camcorder can be used for 60-fps or the film-like 24-fps acquisition. When acquiring for 24-fps projects, higher than 24-fps operation can be processed for slow motion effects while slower than 24-fps operation can be processed to speed up motion. Additionally, the variable frame rates and related variable shutter speeds create some very interesting ghost like motion blur effects, warp speed zoom effects, and long exposure still shots typical of what one might see in music videos, sci-fi dramas and dream sequences. The camera has the capability to emulate film's gradual transfer function performance (i.e. CineGammaTM). This function greatly increases the camera's usable dynamic range, especially in traditionally limiting areas such as highlight handling, which until now was a serious limitation for most HD cameras. CineGamma provides the user with a much closer approximation of film's renowned ability to maintain smooth image tonality even when gently compressing extreme highlights. Cinematographers are able through the CineGamma feature to control the camera's gamma transfer function to best optimize control over tonality, from extreme highlights to the lowest of shadow areas. The AJ-HDC27 VariCam serves a triple role: 1.) as a 24-fps camera, 2.) as a standard 60-fps video camera, and 3.) as a variable frame rate special effects camera. It is important to understand that only the camera section operates at variable frame rates. The VTR and the camera HD-SDI output operate at a constant 60-fps rate. If you set the camera for 60-fps with no shutter, the exposure time is 1/60th of a second and each camera frame is recorded once on tape. As soon as the frame rate becomes lower than 60, exposure time increases proportionally and redundant frames are recorded on tape. For example, if the camera operates at 30-fps, each new frame is recorded twice to ensure 60-fps on tape. 24-fps is a non-evenly-divisible frame rate and requires the classic 3:2 type pulldown frame sequence with one frame recorded three times and the next two times. As you see, this technique generates redundant frames used to pad the data to maintain a constant 60-fps on tape including both new frames and redundant (repeated) frames. By keeping the VTR frame rate at 60-fps no new DVCPRO HD studio VTRs or specialized video monitors are necessary. By recording standard 720p60, tape can be run through a standard linear tape based post production chain, yet still deliver "film look" video. If a linear 24-fps post production process is required, material can be converted to D-5 HD 1080p 24-fps by the Panasonic AJ-UFC1800 or other 3rd party products. This process works by removing redundant frames. Various NLE systems now support editing with variable frame rates acquired with the AJ-HDC27.

• Colorimetry - Standard color is compliant with SMPTE standards. To achieve a desired "look", an advanced color correction scheme utilizes a 12-pole color matrix that allows very specific colors to be set, especially when critical color matching is vital. • New Digital Signal Processing (DSP) - Offers a higher standard of precision color, detail and gamma processing to ensure optimum picture quality. • Assignable Scene Files - An externally accessible switch allows for easy access to any of three user-designed set-ups, each with programmable color, detail, gain and gamma. (Most commonly these switches are used for gain sets, leaving other presets in place.) [ L/M/H ] • Scene Files, Internal Memory - A selection of four separate camera set-ups -- plus one user standard-reference file -- are available through user menu access. These set-ups are stored in camera memory and updated as needed. • Scene Files, Card Storage - Camera set-ups can also be saved on a removable SD or Multi-Media Memory Card, allowing quick memory access to user-designed camera settings to achieve a particular look for given scenes. Also useful for matching multiple cameras with the same "look". Up to eight scenes are saved on this card. • Simple Cinematic Settings - Provides for superior versatility in a single camera system when the Film User Menu is chosen. • User 1 / User 2 - Two externally accessible, user-assignable switches provide direct access (on or off) any one of six operational functions, including Super Gain, Super Black, Black Stretch, Super Iris, and Audio 1 & 2 (for viewfinder display) plus pre-selected frame rates. • Wide Lens Selection - Offers the ability to capture superb images with a wide selection of lenses including todays newest HD technology lenses and a large variety of existing prime lenses. • White Balance Selection - Select between two programmable automatic white balance conditions (as set by the user) and one preset that can be set for either 3200° or 4300° Kelvin. This feature comes in very handy when moving quickly between dissimilar ambient lighting conditions. [ Preset/A/B ] • Wide Range Gain - When shooting in wide-ranging light-level conditions, a programmable gain switch can be set to optimize signal levels -- choose from -6 dB to +30 dB in thirteen steps. • Low Power Consumption - A moderate 33 Watts power consumption (39 Watts typical) means a good battery life can be realized. Expect about 1.5 hours from a HyTron 100 battery. The camera runs cool and does not employ a fan, assuring quiet operation. • 33 Minutes Record Time - Employing the large DVCPRO Cassette, a recording time of 33 with 18 micron recording format. • Three 1.1-Million Pixel CCDs - True to high-definition standards, these extraordinary 1280 x 720 CCDs are the key ingredient in creating rich images.

This full 2/3" DVCPRO HD camcorder records pristine 100Mbps HD images in any of 11 video formats, encompassing 60Hz and 50Hz production. The versatile, cost-effective camera provides higher-quality 4:2:2 intra-frame recording that holds up through layers of special effects, graphic overlays and constant editing and processing. Collaboration and content exchange are essential in sports production, cable shows and reality TV -- and nothing maintains the original image integrity and sound quality like DVCPRO HD. With 1080i, 720p, 24p and 25p capabilities, the AJ-HDX900 is perfect for long-form HD programming and an invaluable tool for digital cinematography, cable and television production in any format, sports and events, for globetrotting documentarians and feature crews, and for the rental companies that serve them.

• Full-size 2/3" CCD block provides superb low-light performance and compatibility with all manufacturers 2/3" lenses for ENG, EFP and digital cinema production • Multi-format recording system that supports 1080 at 59.94i, 50i, 29.97p, 25p, 23.98p, 23.98pA and 720 at 59.94p, 50p, 29.97p, 25p, 23.98p • 14-bit A/D DSP circuits that provide optimum picture quality, color reproduction and luminance gradation • Superior 4:2:2 color sampling and independent frame compression • Records for 33 minutes on a DVCPRO medium-size cassette with 48kHz/16-bit digital audio on all four channels • Three CineGammaTM modes to replicate the look and feel of film • Built-in IEEE 1394 digital output helps lower the cost of HD production by allowing you to directly transfer HD video to nonlinear editing systems or other VTRs • Standard HD SDI output is included for monitoring and line recording • Built-in downconverter produces a SD output, allowing the use of low-cost SDI accessories • Outstanding low-light shooting down to 0.032 lux (at+62 dB gain) • Compatible with a wide range 2/3" quality lenses and accessories • Two 4-position optical filters (ND: clear, 1/4, 1/16, 1/64; CC: Cross, 3200K, 4300k and 6300K) • Electronic shutter (1/100 to 1/2000 sec.) with synchro scan shutter (1/60.3 to 1/249.8 sec.) • Teams with Panasonic's new AJ-HD1400 compact DVCPRO HD VTR to form at high-performance, mobile acquisition-through-editing system

The AJ-HPX2000 P2 HD shoulder-mount camcorder integrates native HD progressive 2/3" 3-CCD performance with the ultra-high reliability and speed of P2 solid-state recording. As one of the most flexible, full production-quality cameras available, the AJ-HPX2000 records pristine high-quality images in over 30 HD and SD formats ranging from 1080p, 1080i, 720p, 480p, 480i and 576i. With the new AVC-Intra codec option board (AJ-YBX200G), the AJ-HPX2000 can deliver 10-bit, 4:2:2 master-quality video for outstanding video production and news acquisition. AVC-Intra, the industry's most advanced compression technology, is a professional intra-frame video codec with bit rates of 50 and 100Mbps, utilizing the High-10 and High-422 profiles of H.264 respectively. AVC-Intra provides high-quality 10-bit intra-frame encoding in two modes: AVC-Intra 100 for full-raster mastering video quality, and AVC-Intra 50 Mbps for DVCPRO HD quality at half the bit rate, thereby doubling the record time on a P2 card. The AJ-HPX2000 holds up to five P2 cards offering users extended recording time. With five 32GB P2 cards, professionals can record over 5 hours of content with AVC-Intra 50 and over 6 ½ hours in DVCPRO HD 720p native.

• Compatible with DVCPRO HD/50/25 and optional AVC-Intra 50/100 • Multi-format recording system that supports a total of 30 HD and SD U.S. and international formats, including 1080/59.94i, 1080/50i, 1080/29.97p, 1080/25p, 1080/23.98p, 720/59.94p, 720/50p, 720/29.97p, 720/25p 720/23.98p and more • Offers DVCPRO HD Native recording frame rates, including 720 23.98p / 25p / 29.97p • 2/3" 3-CCDs with 14-bit A/D processing • Time lapse • High-speed file transfers are easy with industry-standard IT interfaces, including USB 2.0 and IEEE 1394 • Ultra-reliable, solid-state recording for superior reliability in harsh environments including temperature change, vibration and shock • New Dynamic Range Stretching (DRS) automatically adjusts the camera's aperture when moving from dark to light areas or shooting scenes with mixed dark and light areas • 12-color correction matrix for precise color adjustments • Top performer in low and bright light conditions, with a high sensitivity of F11 at 2000 lux and a minimum illumination of 0.007 lux (at +74 dB gain) • Powerful digital super gain • Records full 48-kHz/16-bit digital audio on four channels • Extensive signal connectivity and control capability comes standard with the camera, including IEEE 1394 (AVC) and USB 2.0 interfaces, HD/SD-SDI, genlock, SMPTE time code and composite video. A 10-pin RCU terminal connects the optional AJ-RC10G remote control unit. GPS mapping connection is also available • Optional recording boards, such as Proxy Data and HD/SD line recording, allow for a variety of recording options compatible with common studio news systems and applications (news flashes, etc.) • 4-position optical filter • Up to 4X Digital Zoom due to increased magnification of the lens by either 2X, 3X or 4X. HD images remain in their superb resolution while maintaining brightness

The AG-HPX500 P2 HD shoulder-mount camcorder delivers a unique combination of high-end features never offered in a camcorder in this genre, including production-quality 2/3" progressive 3-CCDs, DVCPRO HD quality, multi HD and SD formats, variable frame rates, and four independent audio channels. In addition, the HPX500 offers the outstanding benefits of P2 solid state recording including ultra-fast IT workflow and no-moving-parts reliability, which makes the camera ideal for use in harsh environments. At only 8.2 pounds, the HPX500 features a high-performance digital signal processor (DSP) with 14-bit A/D conversion and 19-bit processing that handles HD/SD format conversion simultaneously -- ensuring spectacular images in all video formats for applications ranging from news acquisition, independent filmmaking, corporate video, sports and much more. To give your productions tremendous flexibility, the HPX500 records in over 32 HD and SD formats. The camcorder records on re-usable, removable P2 cards. With Panasonic's new 16GB P2 card and HPX500's four P2 slots, the camera records for 68 minutes of DVCPRO HD; 136 minutes of DVCPRO 50; and 272 minutes of DVCPRO.

• Records in 1080/60i, 50i, 30p, 25p and 24p; in 720/60p, 50p, 30p, 25p, and 24p; and in DVCPRO50, DVCPRO and DV • Excellent low-light performance and a high sensitivity of F10 • Equipped with eight gamma modes, including CineGamma, for different shooting situations • Like the AJ-HDC27 VariCam camera, variable frame rates in 11 steps between 12p and 60p allows undercranking/overcranking for fast- or slow-motion effects • Users have immediate access to P2 content with clip thumbnail view and advanced recording features including hot swapping, loop record, shot-marking, pre-record functions (three seconds in HD and seven seconds in SD), one-shot and interval. • Key interfaces include IEEE 1394, USB 2.0, HD SDI/SDI, genlock, built-in SMPTE time code, independent TC-IN/TC-OUT terminals, composite video, analog component and four audio XLR inputs • 4-position Neural Density filter • Low power consumption of 22 watts (when 3.5" LCD monitor and 1.5" viewfinder are in use) • 3.5" color LCD screen (with image flip function) located at rear of the camera • Chromatic Aberration Compensation function allows the camera to automatically compensate the registration error that is caused mainly by lens chromatic aberration and minimize the circumjacent blur.

The PMW-EX3 compact camcorder with an interchangeable lens system incorporates three ½-inch type Exmor™ Full HD CMOS sensors, each with an effective pixel count of 1920 x 1080, delivering stunning-quality HD images in 1080P, 720P, and 1080i HD resolutions. A rich variety of features for creative shooting are incorporated into this camcorder such as “Slow & Quick Motion”, which is also commonly known as “over-cranking” and “under-cranking”, selectable gamma curves, slow-shutter, interval recording and Picture Profile™ feature. Additionally, the PMW-EX3 offers a convenient remote-control and multi-camera operation capability, which allows use with high-end camera systems.

Key Features:

• ½-inch interchangeable lens system
• Genlock in
• Time Code in/out
• 8-pin remote control for studio operation

Its superior Canon optics and exceptional image processing give you a brilliant HD image. The XL H1 also features uncompressed HD-SDI (SMPTE 292M) and SD-SDI (SMPTE 259M) output, as well as Genlock input and SMPTE time code input and output for multi-camera shoots. And, with its customizable open-architecture approach, selectable frame rates including 24F, and multiple output options, you've got exactly the right tool -- every time.

The XL H1 features total Cine control, customizable settings and a well-balanced design for the creative control, flexibility and advanced capability your video work demands.

Power Supply (rated)	7.4V DC (battery pack)
Video Recording system	Two rotating heads, helical scan azimuth recording, HDV: HDV1080i; DV specifications (Consumer VCR SD specifications)
Audio Recording system	DV: PCM digital recording: 16 bits (48 kHz/2 channels), 12 bits (32 kHz//2 channels) selectable. 12 bit/synchronous (32 kHz/4 channels) is possible HDV: MPEG1 Audio Layer II: (Sampling frequency 48 kHz, bit rate 384 kbps/2 channels);
Image Sensor	Size 1/3", approx. 1.67 megapixels per CCD, CCD x3 (charge-coupled device) with horizontal pixel shift. Effective pixels: HD approx. 1.56 megapixels, SD/4:3 approx. 1.17 megapixels, SD/16:9 approx. 1.56 megapixels
Tape Format	Video cassettes bearing the MiniDV mark
Tape Speed	HDV/DV: SP mode: 0.74 ips (18.81mm/second), DV, LP mode; 0.49 ips (12.56 mm/second)
Maximum Recording Time (with an 80-min. cassette)	HDV/DV: SP mode 80 min. DV:LP; 120 min.
Lens Mount	XL interchangeable lens system
Focusing System	TTL autofocus. Manual focusing possible (20x zoom XL 5.4-108mm L IS II installed)
Minimum Focusing Distance	20mm (Wide macro), 1m (entire zoom range): (20x zoom XL 5.4-108mm L IS II installed)
Minimum Illumination	60i, 1/60 shutter speed = 7 lux; 30F, 1/30 shutter speed = 4 lux; 24F, 1/48 shutter speed = 6 lux
Filter Diameter	72mm (XL lens)
Viewfinder	2.4-inch (wide type) color LCD; Approx. 215,000 pixels
Microphone	High-performance MS stereo electric condenser microphone
Recording Media	SD, MMC
DV Terminal	Special 4-pin connector (IEEE1394 compatible); both input/output
Video Terminal	(a) Also serves as RCA pin jack (yellow); both input/output (b) Also serves as BNC connector; both input/output
Output Levels	Max. -10 dBv (for 47 kohm load)/3 kohm unbalanced
S-video Terminal	4-pin mini-DIN; both input/output
Audio Terminal	(a) Also serves as RCA pin jack (white/red, L/R) both input/output (2 systems) (b) XLR 3-pin jack (2 systems); switchable between MIC/LINE
Audio	Auto Mode, Gain 18dB
Microphone Terminal	3.5mm stereo mini-jack
Operating Temperature range	32-104° F (0-40° C)
Dimensions	8.9 x 8.7 x 19.5 in. (226 x 220 x 496mm)
Weight (not including lens and battery pack)	5.4 lbs. (2435g)
Weight (fully loaded)	8.3 lbs. (3750g)

The HPX-170 offers all the invaluable features of the popular HVX200 and adds a higher-resolution 3-CCD imager, improved image performance, and wider Leica optics. The HVX170 is equipped with three 1/3" 16:9 progressive CCD imagers (effective resolution of 1.1 million active pixels with a spatial offset) that delivers outstanding image quality. It offers lower smear and a higher S/N ratio that results in lower noise and better low light performance than the prior model (HVX200a). The image quality is also enhanced by a new high-performance digital signal processor (DSP) featuring 14-bit A/D conversion and 19-bit inner processing. Equivalent to the processors used in many higher-end HD cameras, this new DSP ensures precise, beautiful recordings in all video formats. Because the HPX170 scans at native 1080P for the initial picture processing, users get the highest level of vertical resolution, whether shooting in HD or SD. Wider Angle (13X) Leica Dicomar® Zoom Lens The camera's lens system features a large 82-mm diameter filter including three asperical lenses. With its powerful 13x zoom lens, the camera offers a wide 30mm (35mm equivalent) viewing angle, covering most shooting situations without the need for a wide-angle conversion lens. The lens also features an Optical Image Stabilizer (O.I.S.) function that ensures stable images during shooting. Variable Frame Rates for Fast- or Slow-Motion Effects The HPX170 offers variable frame rate capability, providing the cinematic expression of higher-end cameras like the Panasonic VariCam® AJ-HDC27. In 720p mode, the HPX170 frame rate can be set from 24p/30p to any of 20 steps between 12p and 60p, allowing for undercranking/ overcranking for fast or slow-motion effects in 720P.  Outstanding P2 HD Reliability and Flexibility With two 32GB P2 cards installed, the camera records for up to 160 minutes in 720/24pN native. It can record up to 64 minutes in other full frame DVCPRO HD formats, 128 minutes in DVCPRO50, 256 minutes in DVCPRO. Recording times double with the upcoming 64GB P2 card.

• Multiple format recording: DVCPRO HD, DVCPRO 50, DVCPRO, DV selectable • Supports 1080/60i, 1080/24p, 1080/24pA, 1080/30p, 720p/60p, 720/24p (over 60p), 720/30p (over 60p), 720/24pN native, 720/30pN native 480/60i, 480/24p (over 60i), 480/24pA (over 60i), 480/30p (over 60i) • Uncompressed 4-channel, 16-bit digital audio recording in DVCPRO HD and DVCPRO50 • Eight Gamma settings for various shooting scenarios, including News Gamma and Cine-Like gamma for recordings that capture the warm tones of film • Advanced image adjustments include color matrix, detail, chroma phase, color temp, knee points • Cam-driven manual zoom, large manual iris control, focus assist, gain, two ND filters (1/8th and 1/64th) as well as slow, synchro and high-speed shutter • A 3.5" LCD monitor allows thumbnail display of footage and a large electronic viewfinder can show peaking for easier focusing • A multitude of recording functions including pre-record (to capture moments that occur right before the start button is pressed), hot-swapping, shot-marking, loop recording, interval and one-shot recording for stop-motion and effects • Internal downconversion to Mini-DV Tape • Interfaces include IEEE 1394 and USB 2.0 interfaces (connect directly to a PC or MAC), built-in stereo microphone, two XLR inputs with Phantom power and analog component signal terminals • Convenient operation functions include a programmable scene file dial with six presets, three user buttons and manual/auto settings for aperture, gain, tracking white balance and focus • Auto trace white (programmable to several locations), two manual white balance settings (3200K, 5600K), zebra levels, tally lamps and center marker • Offers full time code functionality (including time code jamming over IEEE 1394 (Firewire) from another device) • SD Memory card slot for sharing scene files or saving user files

Sensor 36 x 24mm CMOS Bit Depth 14-bit File Formats RAW, JPEG, QuickTime Lens Mount Canon EF mount SensitivityISO 100-6400 (expandable to 50, 12800, and 25600) Video Recording Video with Audio, NTSC & PAL Output Video Resolution 1920x1080 @ 30fps, 640x480 @ 30fps Video Clip Length12 min. HD / 24 min. SD or 4GB Connectivity USB 2.0 (mini-B), A/V Out, HDMI (Type C), Stereo mini input